Perran Helyes于2021年5月4日在《文化1888BET》杂志上发布

《当她睡着》的主唱Loz Taylor在knofest的采访中谈到了独立运营和音乐发展。188BET亚洲体育

从爆炸发布的“北方没有”和“这是六”的爆炸发布,“北方人”,“北方人”,“北方人”是十年的十年。她睡觉在自己的宇宙中几乎存在的地方发现自己。他们的声音已经来自突飞猛进,来自那些早期释放的废旧机组人员现在立即可识别和独特的吉他旋律,多强子狼犬权衡,以及最近引入电子产品的东西20.19’s So What? which are far more fully integrated on new album Sleeps Society. More publicly, that album is named after and accompanied by a Patreon service launched last year along with accompanying lead single and title track, which is just the latest and most natural development in the plans of a band who have always been highly vocal on the matter of being a young band in a heavy genre in today’s industry.

从任何一个国家睡觉时,他们睡觉了一个经营的经营方式,同时睡觉了繁重音乐中的一个最有用和勤奋的乐队之一。案例是睡眠社会的分发过程,睡眠社会在大流行期间看到乐队雇用他们通常的旅游道路船员来处理它 - 这使他们的专辑有资格获得英国专辑表的位置,但在保持人的情况下看到了大规模的成功在受雇的弱势职位上,只是完成工作。Frontman Loz Taylor相信现有的方式是给予,而她睡觉寿命和与音乐生存所需的观众相连。

大多数乐队的唱片都因疫情而延迟发行,而且发行间隔时间略长,而你们的专辑《那么什么?》(So What?)发行仅两年之后就推出了新专辑。“当她睡觉时”的职业道德在去年得到检验了吗?



对于我们来说,我们一直想要成为一支听起来不像其他人的乐队,不把自己局限在金属核类型中,并尽可能多地进行尝试。我想说的是,我们所经历的每一张唱片都让我们更了解自己,我们的粉丝群,以及如何成长为艺术家。而言,如何发布记录的结构与睡社会作为一个模型,我们想把我们的“粉丝团”,说“看,如果你想支持我们,这将是最好的办法未来”,我认为这是一个教训,我们从“我们”。这是我们第一次独立于唱片公司发行唱片,这也是我们最成功的众筹之一。在《沉睡的社会》中,我们想要创造一些类似的内容,但却更加刺激,创造一些能够支撑我们前进的内容。就歌曲创作而言,我们想要带来一些直接的东西,打开我们试图传达的信息,关于这个行业,以及它的发展方式将如何影响未来的乐队和我们孩子的孩子。我们希望在未来有所改变,并认为硬核、朋克和金属等类型都能在这里蓬勃发展,而不是说“我不想加入任何这些类型的乐队,因为这太糟糕了”。肖恩是乐队的主要作家,很多时候我们根据他的即兴创作来创作歌曲。他总是让我着迷,我认为他是一个不可思议的吉他手,甚至在我成为当她睡觉的2006/07年的成员之前,当他们支持我在唐卡斯特的一个乐队时,我就像,“这些家伙rip和大约16岁”。很长一段时间以来,肖恩一直试图让他的吉他在某种程度上听起来像电子,他也有点爱上了老式合成器的声音。 He’s been messing around with loads of different whammy bars and weird effects on his guitar he can swap and change into, and I feel like now you’re starting to see the synth parts and his guitar experiments merge together into just his writing style in general. It’s bringing a whole new element to the band that I honestly didn’t think we’d ever reach and push so predominantly. For a while though metalcore became a bit of a dirty word. After that wave of bands like Darkest Hour and Unearth who were really important for us, it became a lot of American bands just pushing themselves through the metalcore machine to get a record at the end of it, and for me it became a bit tedious hearing a lot of the same sounds. I was a huge emo kid back in the day too and that became a dirty word too. For us, using different instruments is always what we’re into, we use quite funky production on a lot of songs whether it’s an according or some weird sound, so I think Sean’s just really enjoying messing with these and seeing what we can create running alongside his guitar. I think that’s why “So What?” was like the catalyst for the sound that we’ve got now on “Sleeps Society”.


我总是联系回“你是我们这个地方很多时候,当你在一个乐队和你前几个记录,你有点泡沫人们吹烟你的屁股,因为他们认为你会成为下一个活结。他们总是推动你成为下一个最重要的东西,你可以暂时从媒体那里购买,但这总是与粉丝基础有关。如果他们不愿意接受新事物,你就不可能去尝试。《You Are We》让我们意识到,无论是在音乐行业还是将我们的乐队推向一个特定的位置,我们的粉丝都很在乎我们所做的事情,这让我们有信心进行更多的尝试。我们现在有一种哲学,如果它让我们有点兴奋,但不一定觉得完全当她睡觉时,我们无论如何都要去做,因为这将是我们的粉丝基础有趣的,而不是仅仅录制两次相同的专辑。




肖恩写了那首歌的结构,它在真正需要的时候来到他身边。我认为自然认为我们在那首歌中所说的原始诚实。我们在这张专辑中经历过的一些主题和主题涉及在过去几年中经历了这段乐队的一些成员,试图在他们的生活中恢复平衡。我挣扎着酗酒,在过去几年里,我生命中的一大部分要在那里找到平衡并踢习惯。它影响了我的声音,我歪曲了自己,一般是一个鸡巴,这是我必须克服的东西,所以我们经历的自然旅程是我们可以谈论的东西。我们想要做的是通过这些歌曲灌输某种积极的态度和统一。With “Nervous”, Sean has suffered for a long time with panic attacks and anxiety and he’s gone through a massive journey trying to deal with that, making it a part of his life in knowing that it’s not gonna go away but learning how to not let it crush him. When it was in the demo stage, I was in a bit of a dark place and heard “Nervous” on the list of songs that we were taking as potentials for the record, and just messaged everyone that people needed to hear this song. It’s made it a very important song for us. Getting Simon Neill involved with that was another amazing thing. He was so up for being involved, hugely enthusiastic about the message of the song and such a humble guy, and I think it’s a credit to him and Biffy Clyro that they’ve done such great things in being a UK rock band and remaining that humble and down to Earth. He crushed his parts, and then obviously going through a pandemic, the more that we put our attention to this song the more that we felt that it made sense for people to get that song when they were isolated more than ever before. I lost one of my close friends to suicide during the first lockdown, and it just made me think about if he wasn’t isolated as part of lockdown, and he had his support network around him, would he have reached that point of taking his own life? It had so many connotations and felt like such an important time to send out that message to hopefully do some positive things for people.


我们觉得我们是一支可以公开谈论音乐产业和系统如何让我们失望的乐队,其中一个主要原因是我们是一支非常努力的乐队。我们做事的方式非常朋克,我觉得很有约克郡的风格。完成它。我们从来没有真正的休息时间。我们在仓库待了一天回到家,手机还是响个不停,因为我们带着想法和下一步会发生什么。这绝对让我们很忙。睡眠协会在发行这张专辑方面提供了巨大的帮助,如果没有它,我们可能会陷入非常困难的境地。还有其他的乐队,他们不得不放弃乐队一段时间,当他们不能进行演出时,他们就开始做日常工作来度过难关。其中一个主要的帮助是我们能够把我们的巡演团队带回仓库作为工作的一部分,并把他们留在工资名单上。我们发行唱片的方式是,我们希望我们的销售人员,我们的音响人员和在路上和我们一起出来的摄像师回到家里。 The album couldn’t chart being distributed like that but we want to do this for as long as possible, and it really feels like with the past few records we’re managing to create this wicked sense of community which is what it’s always been about for us.



你之前提到过,行业中有一股热潮,希望把你们选为下一支大型金属乐队,但这类英国金属乐队和你们一样,Bury Tomorrow和Architects都在继续取得更高水平的成功。对于像你们这样的乐队,以及那些在早期就被强加于你们这种期望的乐队,你们是如何看待的?

这太疯狂了,所有这些乐队都在努力保持领先地位,这要归功于这些乐队的每一个成员和工作人员的投入。我认为这只是归结为对它有多少热情。我记得我坐在校车的后面,因为穿了一件活结连帽衫而被拳打脚踢,被吐痰,而这一切对我来说,只是让我更加意识到,我属于的地方是这个不同的另类音乐场景。社区的感觉,我还是当我看到有人穿我喜欢的一个乐队的t恤,它一直都存在,无论是我们的同行在其他乐队显示支持我们,我们为他们做的有多好,或者感觉一个局外人的社区的一部分。看到乐队深入挖掘,保持真实,为他们一直想成为的东西而奋斗,这是非常棒的。我认为像“Enter Shikari”和“Bring Me the Horizon”这样的乐队确实在他们的声音多样性方面铺平了道路,如果人们对他们不屑一顾,他们就会接受并继续下去。在过去的十年里,英国摇滚和金属界的表现令人惊讶,他们不仅愿意多元化,而且对他们喜欢的乐队忠诚,并将乐队推向排行榜。我们不断地看到各种音乐类型相互碰撞,这正是音乐的有趣之处。如果你以澳大利亚为例,那里的建筑师排名第一,他们的国家有极限运动的优势,所以摇滚和金属总是被推得很高。多年来,我们看到英国越来越多的人准备好了。 We get called a gateway band all the time where people who aren’t necessarily into metal will find something about our band they like, and we open the door for them to start listening to loads of other metal and punk stuff they’d never listen to before. It’s really cool and I’ve got all the respect in the world for all those bands mentioned and everyone else in the UK that’s in an underground rock or metal bands just striving to do well. It’s not an easy industry to be in, after the pandemic we’re gonna have to move onto Brexit and how that is gonna affect bands touring Europe, so it’s a credit to anyone who is still passionate about this when it churn out problems quite consistently.

来自她睡觉的“睡觉社会”目前可用 -这里